Your brain on art

The island of Naoshima is home to some James Tyrell installations. One of them resides in a building designed by the architect Tadao Ando and dedicated to just one piece. Seventeen people at a time are lead into a pitch black room.

The only way to enter is to drag your hand on a wall. Right turn, shuffle a few feet, left turn, slide a few more feet. Once you stop, there is a faint image of a rectangular black/gray/blue shape that appears like an entrance to infinity. The host left us all alone in the installation with the instruction to remain totally quite. Did he mean no crying or screaming? Part of your brain says “Let me outta here now” but it’s so dark there is no way or where to run. You are frozen in the black space. Slowly your eyes adjust and the infinity door is filled with just a little light that has a heartbeat like pulsation. The host comes back and invites you into the void.
We all do a night of the living dead walk forward, tentatively, at first until you feel that you will not fall into the void. You can see haunting shadows of others as they float slowly into the void space with no reference points. Then you realize that you and the other 16 people are the art, darkness is the palette, and the building is the frame. It’s definitely a full body/mind experience. And no one else saw the pulsation. Welcome to Living Art.

 

While eliminating things that are unnecessary, making it smaller and smaller, I think of how to make people sense a larger world.
Lee Ufan

 

The Lee Ufan Museum is another Tadao Ando building, a maximum immersion in minimalism. The huge building is mostly underground, creating a small footprint that’s filled with sparse art and architecture. It’s a quiet conversation between artist and architect for the most noticeable understatement.

Mel, a friend, who was partly responsible for us being on this trip, was in the Lee Ufan Museum when he had a similar art/brain experience. The instructions were “you are entering a meditation room”. It had three large, but subtle color shapes, one on each wall of this space large enough to play a game of volleyball in. Daylight was the only illumination. As time passed he noticed that the color of the shapes darkened without explanation. He couldn’t believe that all of us didn’t see the same thing. I asked if it could be the second typhoon cloud cover but the room stayed light, just the paintings changed. Welcome to Living Art.

Naoshima Japan October 31st, 2017

Set in stone

The Noguchi Sculpture Garden was off the beaten path in Mure Japan. When our group arrived it was us, and the workers who guard the giant art pieces. After the no pictures, no touching, no food or drink warnings we were escorted to the sculpture gardens by two guides.These stones were moved, carved, cut, sawed, and chiseled into the most valuable rock in this country.

The story is that the Artist would walk through the garden daily reworking and editing. Noguchi’s notes are still on some pieces. Are they finished or not? It’s hard to tell. Rhythmic but random sound of steel tools hitting stone balance the silence of the sight. Down the path, the whine of diamond blades cutting stone, turning the mountain into art created a peaceful and powerful place.

Pound, pound, dust off, Repeat

While Vicki distracted the guards with difficult questions in English my camera snatched a couple of images. I felt so guilty about breaking the rules I bought the 400 yen postcards as my redemption.

Noguchi’s Stone Mason has outlived the artist but you get the idea that they are still receiving directions from their long-dead muse. Every once in a while the smell of incense wafted through the air with no visible source. I felt a faint vibration of the worked stone that surrounded us as we walked around.

There is something special about the stone sculptures. They are ancient unearthed rock manipulated to reveal the magic of the depths from whence they came. Simple, grand, and important.

Noguchi’s Ashes are set in this stone at the highest point of the outdoor museum.

When we were all standing around the rock that inters
some of Noguchi’s ashes, a crow flew overhead with a greeting from the namesake.  My Japanese is not that good but I think the crow said either welcome to this place, or no photographs please.

 

 

Mure Japan October 29th, 2017

Oh Noh

The Noh stage in Oomoto. The pine tree symbolizes the connection to Heaven

Unlike Kabuki, Noh drama is dependent on the audience’s imagination to complete the story. It is subtle and Haiku-like. To do this though, you need to understand the prose of Noh and its nuance. Even with no spoken word, the language is elusive, mysterious, and haunting.

We all had a brief Noh training with Manjiro Tatsumi, the 5th generation head of the Hosho school of Noh and considered by the Japanese government an Intangible Cultural Treasure. He taught us ways to move our bodies in slow motion with quickly changing tempos and bursts of unexpected movements. Seven steps forward…forearm slowly meeting a bowed head depicting sadness…fast turn to the right, heavy step at the end…head jerk to the ceiling and then to the floor for anger. After the training, Sensei brought out five treasured masks.

He explained that the masks are in such good shape, not because they are stored well, but because they are well used.They have taken on a life of their own.He offered to let the ones that stepped forward a chance to try one on. It’s close to Halloween, so why pass up an opportunity to wear a 250-year-old anything?

Putting on the mask was an entrance to a spirit world, unfamiliar and disorienting, it felt like the plane of the stage was tilted and I was falling on my feet. The eye holes are tiny, adding to the feeling that you have left the room. Then Sensei told us we were now going to perform what we learned for the rest of the group. OH NO, a Noh master’s trick. There is Noh way you could do this. These skills take decades to be decent at even if you had a predispositioned Noh gene in the family.

After our embarrassing performance the master told us that he tries to block the energy of the centuries-old mask otherwise he goes into a trance with the power of its history.
Maybe he should have mentioned that in the training.

Oomoto Japan October 25th, 2017

Typhoon Tourists

The Japanese have a no big deal attitude when it comes to typhoons. We had an Osaka tour scheduled with Takuya, a local guide, and were afraid that he would blow off the tour. No way. We were going in the wind and the rain and I’m glad we did. After our hurricanes, the potential devastation was on my mind.
We spent time at a Shinto shrine cleansing all of the curses that we have been carrying around with us. We attended two Shinto weddings in the rain, walked around Osaka Castle in the rain and increasing wind. We ate traditional Osaka pizza which looks like a giant hash brown made with lots of cabbage.

But the best part of the day was the Happy Hour or two spent in a bar, in the caverns of the Umeda train station, with beers and multiple sakes with Takuya. The shop was a tiny place that would be intimidating for most visitors. It was a place we could have only gone to with Takuya. There were no chairs, only standing room for 8-10 people. Drinks and bar food are offered to the weary commuter. The curtain covering the door was the portal from tourist to traveler. When the bar patrons are lubricated with alcohol they morph into friendly loud extroverts and the foreigners, only us, in the bar are curiosities rather than inconveniences. Maybe they want to go home that night with a “I was drinking with Hakujins during a typhoon” story. We probably should have said goodbye sooner with the storm looming and one more long train ride to our hotel in Kyoto. But the longer we stayed the less we cared. As we were leaving finally there were multiple bows and lots of arigato gozaimasus.

This morning I woke to abandoned and broken umbrellas on the street and a message from Takuya, grammatical errors left in for authenticity.
“It was my pleasure to guide you in Typhoon Osaka yesterday. And thanks a lot of sake after the tour at Tachinomi in Umeda.
The typhoon this time was really large which I have never experienced. The wind was blowing all night long, I could not believe it. In fact, my girlfriend got stuck at the station over 2 hours between Kobe and Osaka, and she spent over 4 hours to get back home yesterday. We were very lucky as my train started to get delayed after I reached to my home last night.”

And this was typhoon Lan’s glancing blow.

Osaka Japan October 23rd, 2017

Grateful

“In houses where gardeners come and go, there is no need for a doctor. The garden is essential to our life and not something we can do without”
From Walking the Kiso Road, William Scott Wilson

I live in a special place, but I know it is not a normal place.
The things that we gripe about are pretty minor: traffic, homelessness, fires, the weather-really?
Japan seems different, closer to the edge of the planet. Earthquakes, earthquakes followed by a tsunami, a nuclear plant disaster, wars and a very bad neighbor are a start. Add to that the prediction that Mt. Fuji will definitely erupt in the next 10 years, daily measurement of radiation levels in Tokyo, warnings about mercury levels in fish: “Don’t eat Maguro sashimi more than once a month”. And Lan, the typhoon expected this coming Sunday, the day of their national Election.Some of our travel companions have canceled or postponed their flights. We head to Osaka today on the Shinkansen. Then on to Kyoto on Sunday if we stay on track. It seems that all of these calamities in a country slightly smaller than California are unlikely.

No wonder they need seven Gods to protect them. Or maybe it’s the concept of Shoganai (rough translation, it can’t be helped) that gets them through the day. Is this country in some kind of karmic debt? Are we that much luckier than the Japanese? Can you imagine how much Golden Staters would have to complain about if they had half of these problems?

Typhoon LAN is expected to make landfall Sunday,     the day of their national election.

There is so much unfamiliarity here that it’s best not to try to understand it and just embrace the foreignness. I like being on the edge of the universe, it’s a little unsettling and exciting. And being here helps me see how lucky I am.
God Bless California.

Tokyo Japan October 20th, 2017

February 2018 Update: We have had our share of disaster here with the Thomas fire and resulting mudflow that hit on January 9th. Montecito is severely injured but people have a bit of a Shogunai attitude, recognizing that life is more important than property. And having a positive attitude helps tremendously in the process of healing and rebuilding.

 

 

NAZO, the riddle

History is fiction written by the survivors

Vicki’s Grandparents have always been a mystery to me. I wondered why at the turn of the last century they would leave Kumamoto Japan to start a new life in America. They weren’t poor or wealthy either. They spoke no English, Grandfather never worked and was very well dressed in the only picture we have of him. Grandmother made and sold tofu out of a storefront and was a local midwife in Santa Barbara. She also was well off enough to make steamer trips to Japan and buy property in Santa Barbara.

Grandfather never went back to Japan. He died in the internment camp dedicated to the most difficult internees, the ones that the US thought could be Japanese collaborators. His greatest crimes were he hated desert snakes and wanted to return to Japan.

I developed some theories that might explain the migration.

1. Taxation was increased in the countryside which included Kumamoto, to support the building of cities. This encouraged those citizens to look for greener pastures.

2. There was a war with Manchuria on the horizon and Grandfather left to avoid the fighting.

3. A few people from the Kumamoto area had already migrated to the US and had sent back letters telling of a better life.

We were fortunate to have a great guide for our second day, Patrick was well versed in history, culture, politics and has lived in Japan for 45 years. During lunch, we posed the riddle to Patrick. With no hesitation, he suggested that Grandfather may have been Samurai. Many of them were blacklisted after their leader was killed protesting the removal of rice stipends in Kumamoto a few years before he left. The hint was Grandfather had never worked. Patrick has promised to send us a reading list that may shed more light on the riddle.

 

 

 

 

Statue of Saigō Takamori, the last Samurai in Ueno Park. He was the Samurai who may have been the leader of Grandfather’s Clan

Tokyo Japan October 19th, 2017

 

 

Ghosts of Japan

Joanne, a friend in Santa Barbara recommended a Ghost Tour here in Tokyo. We met up with our tour guide, Lilly Fields, obviously her ghost name. She explicitly requested no pictures of her because she has a day job and doesn’t want her employer to know she’s a ghost hunter. I think, yeah, right, we are in the presence of a real ghost that probably won’t show up on film and then we would all freak out. Not good for business. How do you get your money back from a ghost? She warned us that we would be spending 3 hours walking in the rain looking for spooky things.You know on ghost tours you don’t usually see a ghost, but it’s definitely better marketing than calling it a History Tour.
I’m interested in those moments when we leave reality behind and experience something outside of our realm.  When we stepped through the gates of the Shinto shrine I felt a rush of unexplained peacefulness. Not really a chicken skin moment, more like a wash of warmth and well being.

As we were leaving the Shrine there were two different stairways out. Ghost girl says to choose the one you feel most comfortable with. I chose the curved one to the side. Ghost girl says that was the women’s stairway and I was probably a woman in a past life. Not a surprise to me.

During a coffee break, we talked about the underbelly of Japan and those things that are left unspoken. The Japanese might describe this as Honne & Tatemae, loosely translated “true opinion” and “public face.” Tatemae is the idea that it’s often necessary to hide your true opinion in order to ensure social harmony. I thought of the author, Alex Kerr and asked her if she was familiar with his writings. Turns out they are friends and she passed on an invitation to him to ghost walk with her. A funny thing though. Lilly still never told us her real name to pass on to Alex.

Fortunately, Vicki didn’t follow instructions and took a picture of Lilly and she’s there. Proof that she’s mortal. Or is it? Maybe Alex will be able to verify her existence once and for all. I just hope the photo doesn’t disappear.

Update after our visit with Alex Kerr.  He has never seen this woman but she looks a little like his long-dead great-grandmother when she was younger.

Tokyo Japan October 18th, 2017

 

 

Ghost girl in disguise