The island of Naoshima is home to some James Tyrell installations. One of them resides in a building designed by the architect Tadao Ando and dedicated to just one piece. Seventeen people at a time are lead into a pitch black room.
The only way to enter is to drag your hand on a wall. Right turn, shuffle a few feet, left turn, slide a few more feet. Once you stop, there is a faint image of a rectangular black/gray/blue shape that appears like an entrance to infinity. The host left us all alone in the installation with the instruction to remain totally quite. Did he mean no crying or screaming? Part of your brain says “Let me outta here now” but it’s so dark there is no way or where to run. You are frozen in the black space. Slowly your eyes adjust and the infinity door is filled with just a little light that has a heartbeat like pulsation. The host comes back and invites you into the void.
We all do a night of the living dead walk forward, tentatively, at first until you feel that you will not fall into the void. You can see haunting shadows of others as they float slowly into the void space with no reference points. Then you realize that you and the other 16 people are the art, darkness is the palette, and the building is the frame. It’s definitely a full body/mind experience. And no one else saw the pulsation. Welcome to Living Art.
The Lee Ufan Museum is another Tadao Ando building, a maximum immersion in minimalism. The huge building is mostly underground, creating a small footprint that’s filled with sparse art and architecture. It’s a quiet conversation between artist and architect for the most noticeable understatement.
Mel, a friend, who was partly responsible for us being on this trip, was in the Lee Ufan Museum when he had a similar art/brain experience. The instructions were “you are entering a meditation room”. It had three large, but subtle color shapes, one on each wall of this space large enough to play a game of volleyball in. Daylight was the only illumination. As time passed he noticed that the color of the shapes darkened without explanation. He couldn’t believe that all of us didn’t see the same thing. I asked if it could be the second typhoon cloud cover but the room stayed light, just the paintings changed. Welcome to Living Art.
Naoshima Japan October 31st, 2017